Al Fresco
“It’s
hard to say, for sure,” he said,
and he bit into a
fresh tomato.
He wasn’t rushing
his answer –
but neither was I.
The silence was without
the awkwardness
that comes between
two people
who premeditate the
course
of a conversation.
We were both relaxed
into our meal
and into who we were.
I suppose I liked
him
because I didn’t
have to pose
for him.
Even this picnic
was able to be
a snatch-out-of-the-fridge
thing,
no ostentatious candelabra,
just wine drunk from
the bottle
and an off-the-cuff
openness
that moved gracefully
around the afternoon
hours
and drew snug.
“But actually
. . . I think I would.”
As he leaned over
and kissed me
I tasted the bitterness
of tomato skin
on his lips.
Reaping
The honeycomb bulbs
of raspberries
freckle the garden
below my window.
I would indulge my
longing
to go out and pluck
them,
let them shine on
my tongue –
but mine is a separate
craving.
I come to my dusty
roof-frame,
my hot-house,
to glean my hand-tinkered
plantings,
to reap abstractions
from my inner vine.
As I stand, sweating,
staring through
the hair-like brown
horseshoes,
the fossils of raindrops
on the brittle window,
I ask myself, “Why
till these words,
these rinds of thoughts?
Why go and carve them
like pumpkins, with
no seeds to munch?”
It is because I have
a loud dog-mouthed
hunger,
too wide a maw for
raspberries,
and I want to find
out
what this barking
is inside,
I want to find out
how to open this pea-pod.
Maude
Larke has come back to fiction writing after twenty-four years in the university system, analyzing others’ works,
and to classical music as an ardent amateur, after fifteen years of piano and voice in her youth. She lives in France
with her cat, Agane, named after a Frankish princess.