Bird's Eye reView: poetry from a different perspective
Leslie Mills/ January 2012
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Doorman

Freddy, fiftiesh,

lustrous black hair, luxuriant moustache,

a trace of Costa Rica in his speech,

stood by the front door enjoying the sun,

greeted residents and passersby,

made a fuss over their dogs.

“Hello, Mrs Mills. How are you today?”

I liked that he didn’t use my first name.


Some people, hoping to draw you in,

complain about their health.

Not Freddy. But one day he said,

“Mrs Mills, I’m food for the worms.”

He was pleased to have found

a metaphor to announce his demise.

After time in the hospital he returned.

It was clear he could not continue.

He rested on a bench

as I passed with a suitcase.


“Good-bye, Mrs Mills.”

He smiled without getting up.

“Have a nice trip.”

After so many years,

a hug, a hand on the shoulder,

a kiss on the cheek, warm eye contact

were what the situation required.

Like Orpheus, I looked over my shoulder,

fixing him silently in memory as he receded.

I should have said,

“Goodbye, Freddy, I will miss you.”

But I didn’t.


Neighborhood dogs still stop at the door,

tails wagging, noses questing

in the direction of the lobby,

awaiting Freddy’s affection and a treat.

He knew all their names, too.

Leslie Mills is a retired music teacher. She edited the American Dalcroze Journal, a journal for music specialists, for nine years, and wrote songs for her students. She now enjoys working with two poetry groups and recently had a poem published in a journal that went belly up in the next issue. She divides her time between Manhattan and Arisaig, Nova Scotia.

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